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Hard Facts - Lathe Turned Stone
Housewares
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In the Cairo museum and
in other museums around the world there are examples of stone ware
that were found in and around the step pyramid at Saqqarra. Petrie
also found pieces of similar stoneware at Giza. There are several
special things about these bowls, vases and plates. They show
the unmistakable tool marks of a lathe manufactured item. This can
easily be seen in the center of the open bowls or plates where the
angle of the cut changes rapidly - leaving a clean, narrow and
perfectly circular line made by the tip of the cutting tool.
Photo taken at Cairo museum, 1996.
| These bowls and stone dishes/platters are some of the finest ever
found, and they are from the earliest period of ancient Egyptian
civilization. They are made from a variety of materials - from soft, such
as alabaster, all the way up the hardness scale to very hard, such as
granite.
Working with soft stone such as alabaster is relatively simple, compared
to granite. Alabaster can be worked with primitive tools and abrasives.
The elegant workings in granite are a different matter and indicate not
only a consummate level of skill, but a different and perhaps more
advanced technology.
Here is a quote from Petrie:
"...the lathe appears to have been as familiar an instrument in the
fourth dynasty, as it is in the modern workshops."
| Stoneware such as this has not been found from any later era
in Egyptian history - it seems that the skills necessary were lost.
Some delicate vases are made of very brittle stone such as schist
(like a flint) and yet are finished, turned and polished, to a
flawless paper thin edge - an extraordinary feat of
craftsmanship. |
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| At least
one piece is so flawlessly turned that the entire bowl (about 9" in
diameter, fully hollowed out including an undercut of the 3in
opening in the top) balances perfectly (the top rests horizontally
when the bowl is placed on a glass shelf) on a round tipped bottom
no bigger than the size and shape of the tip of a hen's egg !
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 This requires that the entire bowl have a symmetrical wall
thickness without any substantial error! (With a base area so tiny - less
than .15 " sq - any asymmetry in a material as dense as granite would
produce a lean in the balance of the finished piece.) This kind of skill
will raise the eyebrows of any machinist. To produce such a piece in clay
would be very impressive. In granite it is incredible.
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Other pieces turned out
of granite, porphory or basalt are fully hollowed with narrow
undercut flared openings, and some even have long necks. Since we
have yet to reproduce such pieces it is safe to say that the
techniques or machinery they employed to produce these bowls has yet
to be replicated. |
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Here is a large (24" or
more in diameter) piece turned out of schist (shown here glued back
together in the Cairo Museum.) It is like a large plate with a
central hub (about 2-3 " diameter) with an outside rim that in three
areas spaced evenly around the perimeter is flared toward the
central hub. It is a truly amazing feat of stone
work. |
There were not just a few of these. Apparently there
were thousands found in and around the Step pyramid.
The Step Pyramid is believed to be the oldest stone pyramid in
Egypt - the first one built. It seems to be the only place where
these kind of stone housewares were found in quantity, although
Petrie found some fragments of similar bowls at Giza. Many of them
have inscribed (scratched) onto them the symbols of the earliest
kings of Egypt - the pre-dynastic era monarchs - from before the
pharaohs. Judging by the primitive skill of the inscriptions, it
seems unlikely that those signatures were made by the same craftsmen
who fashioned the bowls in the first place. Perhaps they were added
later by those who had somehow acquired them.
So who made these objects? and how? and where? and when?
and what became of them, that their housewares were buried in the
oldest of Egyptian pyramids?
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 Diorite bowl
inscribed with the name of Hotep the first king of the Second
dynasty - Saqqara |
Last modified: May 30th, 1998 Copyright ©1997 R.F.
McKenty. All rights Reserved.
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